"A lie is a lie/This god is an eagle/Or a condor for war and nothing more," he yells before DJ Shadow showcases his turntablist expertise on the outro. Just a year prior, the duo worked together on Shadow's "Disavowed," a B side on which De La Rocha played the drums and is also credited with co-production.
Now that he’s staying on the sidelines while his bandmates revive their incendiary songs with help from Chuck D and B-Real during a politically fraught election year, the mystique surrounding De La Rocha has only intensified. As we await official word on the rap-rock luminary’s next move, here’s a breakdown of his activities outside of RATM.
Artist Biography by Kieran McCarthy Zack por la Rocha is one of the biggest and most well-respected names in alternative music, known equally for his militant political activism and passionate vocal delivery. In the '90s he rose to fame as frontman for Rage Against the Machine, and used that pedestal as a catalyst to further his left-wing political beliefs. To understand the motives for do la Rocha's vocal stylings, one must first trace back his philosophical roots. His story begins in Irvine, CA, during the '70s and '90s, with de la Rocha growing up as a Hispanic youth in one of the most ethnically white areas of California. His mother was an anthropology Ph.D. and his father, Belo do la Rocha, was a well-known muralist, famous for his paintings of Zapatista farmers. His parents separated at an early age and Zack split his time between his two parents. When Zack was 13 years old, his father had a nervous breakdown and subjected his son to extreme religious asceticism. Soon, he could no longer cope with his father's fanaticism and chose to move in with his mother full-time. Within a few years, do la Rocha began to express his feelings of anger and isolation by listening to hardcore punk music, including Minor Threat, Black Flag, and Bad Religion. Before long, he had joined his first high-school band, Hardstance, where he contributed both guitars and vocals. This band later evolved into Inside Out, which would eventually release one album on Revelation Records in 1991. As he grew older, he strayed away from his rock influences and became increasingly affected by a stream of hip-hop artists, such as KRS-One and Run-D.
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He left Rage Against the Machine in October 2000, citing "creative differences," at which time he issued a statement saying: "it was necessary to leave Rage because our decision-making process click here has completely failed",[15] in reference to the disagreement over the release of Renegades. The other members of the band sought out separate management and secured the immediate release of Renegades. After searching for a replacement for por la Rocha, the other members of Rage joined Chris Cornell of Soundgarden to form Audioslave.[16] Solo career[edit]
the spot or the flashlights we in la ducking both in the shadows with lead pipes the days are all night
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Following the dissolution of Inside Out in 1991, por la Rocha embraced hip hop and began freestyling at local clubs, at one of which he was approached by former Lock Up guitarist Tom Morello, who was impressed by do la Rocha's lyrics, and convinced him to form a band.
S. empire at the expense of human rights at home and abroad. In this spirit I'm releasing this song for anyone who is willing to listen. I hope it not only makes us think, but also inspires us to act and raise our voices.[23]
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[22] A new collaboration between de la Rocha and DJ Shadow, the song "March of Death" was released for free online in 2003 in get more info protest against the imminent invasion of Iraq. As part of the collaboration de la Rocha released a statement which included the following:
" Del and De La Rocha alternate lines on the track's chorus, dishing out brainy lyrics with potency and poise. "No casual contact, so fuck the format/Crowd get rushed when I crush this beat flat," Por La Rocha exclaims, before Del fires back, "Consider this a melding of the minds/A secret-message transmission to all kind."
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" While "Burned Hollywood Burned" is the only released track to team a member of the Roots with the former Rage frontman, Questlove also worked with Do La Rocha on material for the solo album that never came to fruition. The drummer-producer described the album to MTV back in 2001: "I don't want to overhype it or underhype it, but it's scary. Crazy-fast beats per minute, a theremin, crazy synthesizer energy, Moogs, a lot of drum 'n' bass shit."